Dreaming of an Interspecies Sensor
Creative Technology Interaction Design Graphic Design

Project Type
Self-initiated / Research through Design
Year
2024-2025

What if a tree had a hand—and what if that hand could dance?

Dreaming of an Interspecies Sensor explores alternative ways of relating to the natural world—rooted in research on interspecies communication and performance. But instead of embedding sensors into plants or translating their behavior into data, this project asks: could metaphor, movement, and playfulness form another kind of interface?

At the centre is A Friendly Hand. A DIY robotic prototype made from paper, thread, and a light sensor. It responds to shifting light animations—Carbon, Glow, and Pulse—each triggering its own rhythm of motion. As the light shifts, the hand wiggles, reaches, or trembles. It’s not efficient or particularly accurate, but maybe that’s the point. The gestures feel like a tree trying to reach back. Or dreaming that it could.

Rather than embedding sensors into plants, this work proposes a different kind of interface—one that values agency for plant life and drawing connections between circuits and trees' root system. From birch plywood that echoes Simard’s research on mother trees to the imagined flow of carbon through threads of mycelium, A Friendly Hand, though synthetic, breathes life through conceptual design, poetic built, and research through design.

It uses design not just as output, but as inquiry—a medium to ask questions about connection in a digital age and what it means to relate to the natural world.

Presented as both a book and a video, the project invites reflection: on what we choose to notice in the digital age, and on what trees—and the physical, natural world—still mean to us on a planetary scale. Or maybe, it's just another absurd metaphor—for how far I imagine materials and pixels, physical and digital, human and nature can be blurred.

This self-initiated project was exhibited at Open Endings at The LASALLE Show Exhibition 2025. As part of a larger show that explored design’s capacity to propose, unsettle, and remain open — unfinished not in craft, but in its invitation to imagine what else could grow.

Designed by Zarer Lim
Supervised by Andreas Schlegel
Exhibited at Open Endings, The LASALLE Show 2025
Link Creative Process Journal Logo

If this tickles you creative fancy,
let's chat zayrerboy@gmail.com

Copyright © 2025 Zarer Lim. All Rights Reserved.